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Main page » Home-Decor » Figures » Porcelain figures » Porcelain figure "Rhionzeros" after Albrecht Dürer
Porcelain figure "Rhionzeros" after Albrecht Dürer
Porcelain figure Albrecht Dürer's Rhionzeros
Porcalain figure "Rhinocerus" black china
Large black porcelain decoration figure from the Sven Markus von Hacht Design de Noblesse collection
- Dürer porcelain figure made of black porcelain
Sven Markus von Hacht Design de Noblesse - Material: Manufactured porcelain / hard porcelain with the black retouching
- Packed: without gift box with certificate of SveHa Design-Manufaktur
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Sven Markus von Hacht Design de Noblesse Porzellanfiguren aus schwarz Porzellan in Online-Shop de Noblesse by Sven Markus von Hacht
Dürer's Rhinoceros is the name commonly given to a woodcut executed by German painter and printmaker Albrecht Dürer in 1515.
The image is based on a written description and brief sketch by an unknown artist of an Indian rhinoceros that had arrived in Lisbon in 1515.
Dürer never saw the actual rhinoceros, which was the first living example seen in Europe since Roman times. In late 1515, the King of Portugal, Manuel I, sent the animal as a gift for Pope Leo X, but it died in a shipwreck off the coast of Italy in early 1516. A live rhinoceros was not seen again in Europe until a second specimen, named Abada, arrived from India at the court of Sebastian of Portugal in 1577, being later inherited by Philip II of Spain around 1580.
Dürer's woodcut is not an entirely accurate representation of a rhinoceros. He depicts an animal with hard plates that cover its body like sheets of armour, with a gorget at the throat, a solid-looking breastplate, and rivets along the seams. He places a small twisted horn on its back and gives it scaly legs and saw-like rear quarters. None of these features are present in a real rhinoceros, although the Indian rhinoceros does have deep folds in its skin that can look like armor from a distance. Despite its anatomical inaccuracies, Dürer's woodcut became very popular in Europe and was copied many times in the following three centuries. It was regarded by Westerners as a true representation of a rhinoceros into the late 18th century. Eventually, it was supplanted by more realistic drawings and paintings, particularly those of Clara the rhinoceros, who toured Europe in the 1740s and 1750s. It has been said of Dürer's woodcut: "probably no animal picture has exerted such a profound influence on the arts".
Handbemaltes Porzellan aus der KPM Berlin in Online-Shop de Noblesse by Sven Markus von Hacht
Porzellankollektion Multicolore by Sven Markus Graf von Hacht zu Viernlande je nach Stimmung und Anlass das Porzellan.
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